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Controls in the Inspector panel let you adjust ISO, color temperature, and exposure offset of ProRes Raw content.Īt import, you can have Final Cut Pro create optimized media (in Apple ProRes format) and analyze it for stabilization issues, as well as color balance and the presence of people. Atomos recorders support the format, as does the pro-level DJI Inspire 2 drone. It gives you access to all sensor data, meaning far more leeway in adjusting lighting and colors. It also supports the H.265 codec (aka HEVC), designed to reduce files size of 4K and 360-degree footage.Īpple recently developed a format called ProRes Raw, which is analogous to Adobe's DNG raw still camera file format. 2020, such as the DCI-P3 color space supported by current iPhones and iMacs. The program supports expanded color spaces like those approaching Rec. Premiere Pro has a simpler Import dialog, but it does include a search box. One quibble with the Import dialog is that there's no search-in case you have a large folder of clips and you need to find a particular one. Helpfully, clicking on a filename shows a large preview of its contents in the import dialog.
I must say that Adobe has made both the import and export process clearer for novices in Premiere Pro with its recent redesign of those functions. You can specify creating proxy and optimized media, analyze video for color balance, and fix audio problems on import. Within the Library, the import is an Event. In fact, at import, you can tell Final Cut to copy the media to a specified Library. Libraries are a big part of organizing your assets, but before you use them you have to import media.
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Luckily, you don't have to worry about projects you created before this Library arrangement: Final Cut offers a simple update option to get them with the program. Libraries are similar to the Catalogs in Adobe Photoshop Lightroom in that they are databases that can be backed up to a separate drive, and they receive automatic backups. They combine the previously discrete Events and Projects panels. Final Cut Pro: Libraries, Importing, and Organizingįinal Cut Pro Libraries let you keep assets together for use in multiple projects. Apple claims that they can render projects up to six times faster, though that's compared with Core i3-based Macs, which few serious video editors would be likely to use. As mentioned, it runs natively on the new Apple Silicon M1-based Macs.
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The program requires a machine running macOS Catalina 10.15.6 or later, an OpenCL-capable video processor, 3.8GB free disk space, and a minimum of 4GB RAM (8GB is the recommended amount). Apple offers a generous 90-day free trial, which only requires an Apple Store account to get.Īt over 3GB, Final Cut Pro is a hefty download, so make sure you have enough local storage.
Once you've bought Final Cut Pro, you're entitled to all updates. By comparison, you can only get Adobe's competing Premiere Pro with a Creative Cloud subscription for $19.99 per month.
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There's no upgrade pricing, but, really, compared with the old Final Cut's $999 price, $299 is basically upgrade pricing.
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You can install it on multiple Macs for $299, and you receive updates automatically-no subscription required. How Much Does Final Cut Pro Cost?Īs with any modern Mac app, you can get Final Cut Pro in the Mac App Store. The result is a surprisingly powerful and (once you get the hang of it) easy-to-use application. The company did this to take advantage of the beefier hardware in newer Macs as well as to reimagine the craft of video editing. Rich support for 360-degree VR content, updated color grading tools, and support for HDR and HEVC (High Efficiency Video Codec, aka H.265) arrived in version 10.4, along with a slew of smaller tweaks and added capabilities, stability, and fixes.įinal Cut Pro still shuns the traditional timeline-track interface of its predecessors, a change that drove off a lot of video professionals. Those have been joined by many more capabilities, including 3D titling and an impressive Flow transition to smooth out jump cuts.
Other recent prominent features include Smart Conform, which uses machine learning AI to crop widescreen content to fit mobile device screens and social media formats-similar to Adobe Premiere Pro’s Auto Reframe tool.įinal Cut has long since regained pro-level features that were initially missing, including multicam editing, XML importing, and external monitor support. The previous big update, 10.5 added support for Apple Silicon CPUs, the ability to transcode media automatically when you copy or consolidate a project, and searchable and downloadable user guides.
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